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Chapter 2 - The Email Sent at 4:11 A.M.

At 6:02 in the morning, Dominic arrived at Elena's building.

He did not come upstairs.

He called from the lobby.

I almost let it ring.

Then I remembered Eli.

Whatever I felt about Dominic, he was still my son's father. If this marriage was ending, it would end with boundaries, not chaos.

I answered.

"Is Eli with you?" he asked.

No hello.

No accusation.

Just Eli.

It was the first right question he had asked all night.

"Yes. He's asleep."

I heard Dominic breathe out.

"Can I see him?"

"Not while you're angry."

"I'm not angry."

"You hit me three hours ago."

Silence.

Then, quietly, "I know."

I walked into Elena's bedroom and closed the door.

"Your company lawyers are already involved," I said. "From now on, anything about the designs goes through Maya. Anything about Eli comes through me directly unless that changes legally."

"Nora, I am not going to fight you over our son."

Something in my chest tightened.

"Good."

"I need you to understand something about those sketches."

"You gave them to Vanessa."

"I gave her access to an archive for reference. I told her not to copy anything."

"You also told her I wasn't returning to the business this year."

He said nothing.

"That was an interesting decision for you to make," I continued, "considering I had never decided that."

"You were overwhelmed with Eli."

"Eli was four. He was in school six hours a day."

"You said you were tired."

"I was tired of asking my husband for permission to have a career."

His voice dropped. "That's not fair."

"No. What happened in that ballroom wasn't fair. This is simply accurate."

For several seconds, I heard the faint noises of the lobby behind him. A door opened. Someone murmured his name. He must have been standing there in the same tuxedo, probably surrounded by his security and his assistant, a man who controlled entire rooms but could not get upstairs to his wife.

"Come down," he said. "Please. Five minutes."

I should have refused.

Instead, I looked at myself in Elena's mirror.

My cheek was swollen.

My ear had stopped bleeding.

There was a purple outline around my wrist shaped almost perfectly like fingers.

I took a picture of it.

Then I went downstairs.

Dominic stood alone near the glass entrance doors.

He had sent his driver away from the lobby. His bow tie was gone. The top two buttons of his shirt were open. For the first time in years, he looked less like Dominic Caruso, chief executive, and more like Dom, the twenty-nine-year-old man who once waited outside my studio in the rain because my phone had died and he worried I would walk home alone.

That memory made me angrier, not softer.

His eyes went immediately to my face.

He flinched.

I had never seen Dominic flinch at anything.

"Nora..."

"Five minutes."

He nodded.

"I called the board."

"I assumed."

"The launch is frozen. Retailers are threatening to pull out of the entire winter program until they know what happened."

"Then tell them."

"It's not that simple."

"It became simple when Vanessa put her name under my drawings."

His face tightened.

"I didn't know she used those exact designs."

I studied him.

He looked exhausted. Terrified, even.

I wanted to believe that mattered.

Then I remembered his hand crossing my face.

"Did you give her the scans?"

"Yes."

"Did you tell me?"

"No."

"Did you ask me?"

"No."

"Then the exact percentage of theft you intended is not the most important part of this conversation."

He looked away.

"You're right."

I had prepared myself for denial.

That answer unsettled me more.

He rubbed both hands over his face.

"I was trying to keep the company alive."

"By using me?"

"By keeping Vanessa happy."

The words fell between us.

I went very still.

"Why did Vanessa need to be kept happy?"

Dominic's gaze shifted toward the front desk.

"Not here."

"You have four minutes."

His jaw flexed.

"Moretti Capital backed our expansion after the pandemic losses. Her uncle sits on their investment committee. Vanessa wanted creative control over bridal. I thought giving her old internal references would make her feel supported without costing us anything."

I almost laughed.

"Without costing you anything."

He looked at me.

"I know how that sounds."

"It sounds exactly like what it was."

"Nora, I thought your archive would stay reference only."

"My ideas were not office wallpaper."

"I know."

"No. You knew once."

That landed.

He looked as if I had struck him.

I hated that part of me still noticed.

"There is something else," I said.

"What?"

"Vanessa recognized the drive."

His expression changed so subtly most people would have missed it.

I did not.

"Why?"

"You tell me."

"I don't know."

For the first time since he arrived, I believed him.

That frightened me.

A black SUV pulled up outside.

Dominic glanced toward it and cursed under his breath.

"Who is that?"

The rear door opened.

Vanessa stepped out.

She had changed clothes.

Of course she had.

She wore black trousers, a cream coat, oversized sunglasses, and no visible trace of the wine that had supposedly devastated her three hours earlier.

She came through the lobby doors before either of us could move.

"Dominic, we need to talk."

Then she saw me.

Her steps stopped.

"You."

I almost admired the nerve.

"Good morning, Vanessa."

Dominic moved between us.

"What are you doing here?"

She pulled off her sunglasses.

Her eyes were red, but not from crying. Anger does that too.

"My uncle called me. Moretti Capital got a legal notice at four in the morning. Retailers are calling. The board is panicking."

She turned to me.

"Do you have any idea what you've done?"

"Yes."

"You froze a multi-million-dollar launch because you're upset about a dress?"

I looked at Dominic.

"That sentence should answer every question you still have about her."

Vanessa stepped closer.

"Those concepts were abandoned."

"They were mine."

"They were sitting on a hard drive for years."

"Still mine."

"Dominic gave them to the company."

The lobby went quiet.

Dominic's face changed.

"I did not give them to the company."

Vanessa looked at him.

For the first time that night, she seemed genuinely surprised.

"You gave them to me."

"For reference."

"You said she was done."

My skin went cold.

Dominic stared at her.

"I said she was not returning that year."

Vanessa laughed, sharp and humorless.

"You said she chose motherhood. You said fashion was behind her."

I turned to Dominic.

He opened his mouth.

I lifted one hand.

"Don't."

He stopped.

Vanessa saw the damage she had done and tried to recover.

"Nora, I didn't mean -"

"You grabbed my wrist."

Her face went blank.

"What?"

"Last night. You grabbed me hard enough to bruise me. Then you poured wine on yourself and fell backward."

"That's insane."

"Is it?"

I held up my wrist.

Her eyes flicked to the bruises.

Then away.

That tiny movement was enough.

Dominic saw it.

"Vanessa," he said.

She looked at him.

His voice was very quiet.

"Did you grab her?"

"She was leaving in the middle of a conversation."

"Did you grab her?"

"I touched her arm."

"Did you pour the wine on yourself?"

"This is ridiculous."

"Answer me."

She folded her arms.

"You saw what happened."

Dominic's face emptied.

I knew that expression.

He used it in boardrooms when someone had just made a fatal mistake.

But this time the fatal mistake belonged partly to him.

"There were cameras in that ballroom," I said. "Multiple angles. Maya is requesting preservation of all event footage."

Vanessa's eyes snapped back to me.

And there it was again.

Fear.

Not outrage.

Fear.

"You are trying to destroy us over a marital fight," she said.

"No," I replied. "I am separating the marital fight from the theft. You should be much more worried about the second one."

She took a step toward me.

Dominic blocked her.

"Leave," he said.

Vanessa stared at him.

"Excuse me?"

"Leave the building."

"You don't get to order me around after what she just did to the company."

"The company is frozen because you used work you did not own."

Her mouth fell open.

"You're taking her side?"

The irony was so perfect it almost hurt.

Dominic looked at me once before answering.

"I should have done that before I knew there were sides."

I did not thank him.

One correct sentence could not erase a slap.

Vanessa's face hardened.

"Fine."

She put her sunglasses back on.

"But before you make me the villain, Dominic, maybe tell your wife why Moretti Capital invested in the first place. Tell her what happened in Milan. Tell her whose signature is on the side letter."

Dominic went white.

I looked at him.

"What side letter?"

Vanessa smiled.

Not the elegant smile she wore for cameras.

This one was ugly.

Satisfied.

"Ask your husband."

Then she walked out.

The SUV pulled away.

I turned slowly toward Dominic.

"What happened in Milan?"

"Nora -"

"What side letter?"

He looked at the floor.

And suddenly I knew the stolen sketches were not the whole story.

They were only the first door.

Dominic had spent five years telling me that the company was complicated, that investors were difficult, that timing was bad, that my return would happen soon.

For the first time, I wondered if every delay had been purchased with the same currency.

Me.

"Tell me now," I said.

He lifted his eyes.

"Not here."

I stepped back.

"Then you can tell my lawyer."

I turned toward the elevator.

"Nora."

I stopped but did not face him.

"I am sorry," he said.

My throat tightened.

"For which part?"

He had no answer fast enough.

The elevator doors opened.

I stepped inside.

As they closed, my phone buzzed with an incoming email from Maya.

Subject: URGENT - recovered message from Caruso server archive.

I opened it before the elevator reached Elena's floor.

The message had been sent at 4:11 a.m. from Vanessa to someone saved only as M.C.

Three words appeared in the preview.

She has proof.

Then a second line.

Destroy the originals before Dominic changes sides.

I stared at the screen.

The elevator chimed.

The doors opened.

May you like

And I realized this was no longer only about proving my work had been stolen.

Someone was preparing to erase the evidence.

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