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Chapter 4 - The Truth I Could No Longer Tailor

At 6:30 the next morning, every major fashion site in Europe had the photograph.

Camille did not release it herself.

She did something smarter.

She sent it to an entertainment reporter with a story attached.

According to the article, I had pursued her for months, promised to leave my wife, offered her a future creative role, and used Laurent Maison resources to support our relationship.

Some of it was true.

Some of it was distorted.

That was what made it dangerous.

A clean lie can be disproved.

A lie stitched to truth is much harder to cut apart.

My communications director, Helena Cho, arrived at my house before seven with two phones and the expression of someone who had not slept.

"We have three options," she said.

"Only three?"

She ignored the joke.

"One: say nothing until the board finishes its review. Two: issue a narrow statement confirming a personal relationship but disputing misuse of resources. Three: disclose the affair, reimburse the company, acknowledge Isabelle's founder claim is under review, and announce your leave."

"Which one protects the company?"

Helena looked at me carefully.

"That depends on whether you mean the stock price this week or the brand ten years from now."

I had hired her because she was one of the few people who would say things like that to me.

Then I had spent four years ignoring her whenever I disliked the answer.

"Ten years."

She nodded.

"Then stop trying to look innocent."

At 8:00, the board met without me for twenty-three minutes.

At 8:23, I was invited in.

Adrien read the resolution.

I would step down as chief executive for a minimum of ninety days.

The investigation would review expenses, access controls, authorship records, and conflicts involving employees and contractors.

I would remain chief designer only in a restricted capacity, with all collection decisions subject to oversight.

Isabelle had abstained from the vote.

That fact landed strangely.

She could have voted to suspend me.

She did not protect me.

But she refused to use our marriage as a corporate weapon.

When the meeting ended, reporters were waiting outside headquarters.

Helena had prepared a written statement.

I read it twice in the elevator.

It was careful.

Responsible.

Legally sound.

It also sounded like every statement I had ever hidden behind.

I handed it back.

"I'm speaking."

"Gabriel—"

"Three minutes. No questions. You can stop me if I expose the company to something catastrophic."

She stared at me.

"You're asking me to trust you with a microphone during the worst scandal of your career."

"Yes."

"That is an extraordinary request."

"I know."

She sighed.

"Then do not improvise numbers, legal conclusions, or accusations against Camille."

"Agreed."

The lobby doors opened.

Camera flashes exploded.

Reporters shouted over one another.

"Gabriel! Are you getting divorced?"

"Did your wife found Laurent Maison?"

"Did you steal her designs?"

"Did you pay for your mistress's trip with company money?"

"Is Camille Arden launching her own label?"

I stepped behind the microphone.

For fifteen years, I had known how to perform certainty.

That morning, I let them see that I did not have it.

"I am going to say only a few things today."

The shouting eased.

"First, I had an affair with Camille Arden. I betrayed my wife. That was my decision, and I will not blame another person for a vow I broke."

The cameras erupted again.

I continued.

"Second, I used company resources in connection with personal travel. I have reimbursed those expenses and will cooperate fully with the independent review."

A reporter called out, "What about the stolen designs?"

"There is a separate investigation involving confidential company material. I will not prejudge it or use it to distract from my own conduct."

Helena looked at me.

I could not tell whether she was horrified or impressed.

I took a breath.

"Third, there has been a false story at the center of Laurent Maison for many years. I allowed that story to exist because it benefited me."

The lobby went quiet.

"I have been described as a self-made designer. I am not. Isabelle Beaumont Laurent co-founded the company that became Laurent Maison. She invested in it, constructed garments, developed patterns, contributed designs, and worked without credit during our earliest years. The company is auditing its archive to correct the record."

Someone shouted, "Are you saying your wife designed your collections?"

"I'm saying the history is more collaborative than the public was told. Where the work is hers, she should receive credit. Where it is mine, I will keep mine. Truth does not require erasing either of us."

For the first time in my career, I did not try to make the sentence perfect.

"Finally, I am stepping down as CEO during the investigation. I am not asking for sympathy. I am asking our employees, clients, and partners to judge Laurent Maison by how honestly it corrects what needs correcting."

I stepped away.

Questions crashed over me.

I kept walking.

By noon, the video had been viewed twelve million times.

By evening, my name had become a global argument.

Some people called the statement brave.

Others called it calculated.

Many called me exactly what I had been.

A liar.

A cheater.

An egomaniac.

The ugliest comments were the ones attacking Isabelle.

Gold digger.

Bitter wife.

Failed designer exploiting a famous husband.

That night, I opened social media and saw a photograph of her leaving her attorney's office while strangers screamed questions at her.

One headline read:

THE BILLIONAIRE'S WIFE WANTS HALF HIS EMPIRE—BUT DID SHE REALLY BUILD IT?

I felt rage rise in me.

Not at the press.

At myself.

I had spent fifteen years making her invisible.

Now that she stepped into view, people assumed she must be lying because they had never seen her before.

The absence I created had become evidence against her.

I called Helena.

"Issue the archive photographs."

"Which ones?"

"The first studio. Patterns. Payroll. Investor emails. Anything legal approves that proves she was there."

"That will strengthen her civil position in the divorce."

"Good."

Helena was silent.

"Also," I said, "correct every biography on the corporate site tonight. Co-founder. Full name."

"Gabriel, the audit hasn't finished."

"The co-founder document isn't disputed."

"No."

"Then correct it."

At 9:12 p.m., Laurent Maison's official account posted a photograph from our first studio.

Isabelle stood beside me holding enormous silver scissors, laughing into the camera.

The caption read:

Our history deserves accuracy. Laurent Maison began with two founders: Gabriel Laurent and Isabelle Beaumont Laurent. We are conducting a full archival review to ensure creative contributions are properly credited.

The reaction was immediate.

Former employees began posting memories.

A retired seamstress named Colette wrote that Isabelle taught half the original team how to finish hand-rolled hems.

A buyer in Milan posted an old email from Isabelle negotiating our first wholesale order while I was backstage having a panic attack.

A photographer shared an image of her pinning a model into a dress moments before our first show.

Piece by piece, the woman I had edited out of my story came back into focus.

I watched it happen from the same bedroom where the seven boxes remained.

At 10:03, my phone rang.

Isabelle.

I stood so fast I knocked over a glass.

"Hello?"

"Why did you release the archive?"

Her voice was controlled.

"Because it was true."

"Did your attorneys tell you to?"

"They told me not to."

A pause.

"Why?"

I almost said because I love you.

It was true.

It was also exactly the kind of sentence I had always used when I wanted emotion to excuse behavior.

So I chose something harder.

"Because people were using the silence I created to call you a liar."

She said nothing.

"And because whether you ever forgive me or not, your work should have your name on it."

I heard her breathe.

"Gabriel."

"Yes?"

"Do not turn this into a campaign to win me back."

The warning was quiet.

Precise.

"I won't."

"You say that now because you're frightened."

"I am frightened."

"I know."

Her voice softened, but only slightly.

"You have always been very good at changing when loss is standing in front of you. The question is whether you can change after the room stops watching."

I closed my eyes.

"How do I prove that?"

"You don't."

The answer stunned me.

"Then what am I supposed to do?"

"Live differently."

"And you?"

"I live differently too."

I gripped the phone.

"Where are you?"

Silence.

I knew immediately I had broken the one thing she asked.

"I'm sorry," I said. "You don't have to answer."

Another pause.

"I'm in the old studio."

My heart lurched.

Our first real workspace still existed in a narrow building near Canal Saint-Martin. We had kept the lease long after we stopped needing it, mostly because Isabelle could never bring herself to give it up.

"Why?"

"Because I wanted to remember who I was before I became the woman standing behind you in photographs."

I sat on the edge of the bed.

"Can I see you?"

She did not answer immediately.

"Tomorrow. Eleven in the morning. Twenty minutes."

Hope hit so hard it hurt.

Then she added, "Not to discuss reconciliation."

"I understand."

"Do you?"

"I'm trying to."

For the first time, I heard the faintest trace of the woman who used to laugh with me at two in the morning over broken sewing machines.

Not forgiveness.

Not love.

Recognition.

"Twenty minutes," she repeated.

The line went dead.

I barely slept.

At 10:55 the next morning, I stood outside the old studio holding nothing.

No flowers.

No jewelry.

No grand gesture.

For a man who had built a career on spectacle, arriving empty-handed felt more vulnerable than any runway show of my life.

At exactly eleven, the door opened.

Isabelle stood on the other side.

And behind her, pinned across a wall, were seven new sketches.

At the top of the first page, she had written a title.

SEVEN DAYS.

I stared at it.

"You're designing again."

Her eyes held mine.

"No, Gabriel."

She stepped aside and let me see the room.

Bolts of fabric covered the tables.

Patterns hung from clips.

May you like

Her old scissors rested beside a fresh roll of ivory silk.

"I'm finally admitting I never stopped."

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